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Alchemy, Page Two

Article from the 1911 Encyclopedia

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Possibly this is one of the books about gold and silver of which Diocletian decreed the destruction about A.D. 290--an act which Gibbon styles the first authentic event in the history of alchemy (Decline and Fall, chap. xiii.). The author of these receipts is not under any delusion that he is transmuting metals; the MS. is merely a workshop manual in which are described processes in daily use for preparing metals for false jewellery, but it argues considerable knowledge of methods of making alloys and colouring metals. It has been suggested by M. P. E. Berthelot that the workers in these processes, which were a monopoly of the priestly caste and were kept strictly secret, though fully aware that their products were not truly gold, were in time led by their success in deceiving the public to deceive themselves also, and to come to believe that they actually had the power of making gold from substances which were not gold. Philosophical sanction and explanation of this belief was then found by bringing it into relation with the theory of the prima materia, which was identical in all bodies but received its actual form by the adjunction of qualities expressed by the Aristotelian elements--earth, air, fire and water. Some support for this view is gained from study of the alchemistical writings of the period. Thus, in the treatise known as Physica et Mystica and falsely ascribed to Democritus (such false attributions are a constant feature of the literature of alchemy), various receipts are given for colouring and gilding metals, but the conception of transmutation does not occur. This treatise was probably composed at a date not very different from that of the Leiden papyrus. Later, however, as in the Commentary on this work written by Synesius to Dioscorus, priest of Serapis at Alexandria, which probably dates from the end of the 4th century, a changed attitude becomes apparent; the more practical parts of the receipts are obscured or omitted, and the processes for preparing alloys and colouring metals, described in the older treatise, are by a mystical interpretation represented as resulting in real transmutation.

But while there are thus some grounds for supposing that the idea of transmutation grew out of the practical receipts of Alexandrian Egypt, the alchemy which embraced it as a leading principle was also strongly affected by Eastern influences such as magic and astrology. The earliest Greek alchemistical writings abound with references to Oriental authorities and traditions. Thus the pseudo-Democritus, who was reputed the author of the Physica et Mystica, which itself concludes each of its receipts with a magical formula, was believed to have travelled in Chaldaea, and to have had as his master Ostanes1 the Mede, a name mentioned several times in the Leiden papyrus, and often by early Christian writers such as Tertullian, St Cyprian and St Augustine. The practices of the Persian adepts also are appealed to in the writings of the pseudo-Democritus, Zosimus and Synesius. The philosopher's egg, as a symbol of creation, is both Egyptian and Babylonian. In the Greek alchemists it appears as the symbol at once of the art and of the universe, enclosing within itself the four elements; and there is sometimes a play of words between to on and to won. The conception of man, the microcosm, containing in himself all the parts of the universe or macrocosm, is also Babylonian, as again probably is the famous identification of the metals with the planets. Even in the Leiden papyrus the astronomical symbols for the sun and moon are used to denote gold and silver, and in the Meteorologica of Olympiodorus lead is attributed to Saturn, iron to Mars, copper to Venus, tin to Hermes (Mercury) and electrum to Jupiter. Similar systems of symbols, but elaborated to include compounds, appear in Greek MSS. of the 10th century, preserved in the library of St Mark's at Venice. Subsequently electrum (an alloy of gold and silver) disappeared as a specific metal, and tin was ascribed to Jupiter instead, the sign of mercury becoming common to the metal and the planet. Thus we read in Chaucer (Chanouns Yemannes Tale):--

The bodies sevene eek, lo! hem heer anoon:
Sol gold is, and Luna silver we threpe,
Mars yren, Mercurie quik-silver we clepe,
Saturnus leed and Jupiter is tin,
And Venus coper, by my fader kin!

Note
1 An alchemistical work bearing the name of Ostanes speaks of a divine water which cures all maladies--an early appearance of the universal panacea or elixir of life.

Continued on page three.

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