But the ruins within and outside Rome awakened not only archaeological zeal and patriotic enthusiasm, but an elegiac of sentimental melancholy. In Petrarch and Boccaccio we find touches of this feeling. Poggio Bracciolini often visited the temple of Venus and Roma, in the belief that it was that of Castor and Pollux, where the senate used so often to meet, and would lose himself in memories of the great orators Crassus, Hortensius, Cicero. The language of Pius II, especially in describing Tivoli, has a thoroughly sentimental ring, and soon afterwards (1467) appeared the first pictures of ruins, with a commentary by Polifilo. Ruins of mighty arches and colonnades, half hid in plane-trees, laurels, cypresses and brushwood, figure in his pages. In the sacred legends it became the custom, we can hardly say how, to lay the scene of the birth of Christ in the ruins of a magnificent palace. That artificial ruins became afterwards a necessity of landscape gardening is only a practical consequence of this feeling.
The Civilization of the Renaissance in Italy
by Jacob Burckhardt
Part Three: The Revival of Antiquity
Chapter 2 - The Ruins of Rome: 1 2 3 4
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