In reading the Historia Calamitatum there is one consideration that suggests itself that is subject for serious thought. Written as it was some years after the great tragedy of his life, it was a portrait that somehow seems out of focus. We know that during his early years in Paris Abèlard was a bold and daring champion in the lists of dialectic; brilliant, persuasive, masculine to a degree; yet this self-portrait is of a man timid, suspicious, frightened of realities, shadows, possibilities. He is in abject terror of councils, hidden enemies, even of his life. The tone is querulous, even peevish at times, and always the egotism and the pride persist, while he seems driven by the whip of desire for intellectual adventure into places where he shrinks from defending himself, or is unable to do so. The antithesis is complete and one is driven to believe that the terrible mutilation to which he had been subjected had broken down his personality and left him in all things less than man. His narrative is full of accusations against all manner of people, but it is not necessary to take all these literally, for it is evident that his natural egotism, overlaid by the circumstances of his calamity, produced an almost pathological condition wherein suspicions became to him realities and terrors established facts.
It is doubtful if Abèlard should be ranked very high in the list of Mediaeval philosophers. He was more a dialectician than a creative force, and until the development of the episode with Hèloise he seems to have cared primarily for the excitement of debate, with small regard for the value or the subjects under discussion. As an intellectualist he had much to do with the subsequent abandonment of Plato in favour of Aristotle that was a mark of pure scholasticism, while the brilliancy of his dialectical method became a model for future generations. Afer the Calamity he turned from philosophy to theology and ethics and here he reveals qualities of nobility not evident before. Particularly does he insist upon the fact that it is the subjective intention that determines the moral value of human actions even if it does not change their essential character.
The story of this philosophical soldier of fortune is a romance from beginning to end, a poignant human drama shot through with passion, adventure, pathos and tragedy. In a sense it is an epitome of the earlier Middle Ages and through it shines the bright light of an era of fervid living, of exciting adventure, of phenomenal intellectual force and of large and comprehensive liberty. As a single episode of passion it is not particularly distinguished except for the appealing personality of Hèloise; as a phase in the development of Christian philosophy it is of only secondary value. United in one, the two factors achieve a brilliant dramatic unity that has made the story of Abèlard and Hèloise immortal.
Next: Foreword.
Historia Calamitatum - The Story of My Misfortunes
by Peter Abèlard
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