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Peter Abelard - Page Four

Article from the 1911 Encyclopedia

By Melissa Snell, About.com

Great as was the influence exerted by Abelard on the minds of his contemporaries and the course of medieval thought, he has been little known in modern times but for his connexion with Heloise. Indeed, it was not till the 19th century, when Cousin in 1836 issued the collection entitled Ouvrages inedits d'Abelard, that his philosophical performance could be judged at first hand; of his strictly philosophical works only one, the ethical treatise Scito te ipsum, having been published earlier, namely, in 1721. Cousin's collection, besides giving extracts from the theological work Sic et Non (an assemblage of opposite opinions on doctrinal points, culled from the Fathers as a basis for discussion, the main interest in which lies in the fact that there is no attempt to reconcile the different opinions), includes the Dialectica, commentaries on logical works of Aristotle, Porphyry and Boethius, and a fragment, De Generibus et Speciebus. The last-named work, and also the psychological treatise De Inteilectibus, published apart by Cousin (in Fragmens Philosophiques, vol. ii.), are now considered upon internal evidence not to be by Abelard himself, but only to have sprung out of his school. A genuine work, the Glossulae super Porphyrium, from which Charles de Remusat, in his classical monograph Abelard (1845), has given extracts, remains in manuscript.

The general importance of Abelard lies in his having fixed more decisively than any one before him the scholastic manner of philosophizing, with its object of giving a formally rational expression to the received ecclesiastical doctrine. However his own particular interpretations may have been condemned, they were conceived in essentially the same spirit as the general scheme of thought afterwards elaborated in the 13th century with approval from the heads of the church. Through him was prepared in the Middle Age the ascendancy of the philosophical authority of Aristotle, which became firmly established in the half-century after his death, when first the completed Organon, and gradually all the other works of the Greek thinker, came to be known in the schools: before his time it was rather upon the authority of Plato that the prevailing Realism sought to lean. As regards his so-called Conceptualism and his attitude to the question of Universals, see SCHOLASTICISM. Outside of his dialectic, it was in ethics that Abelard showed greatest activity of philosophical thought; laying very particular stress upon the subjective intention as determining, if not the moral character, at least the moral value, of human action. His thought in this direction, wherein he anticipated something of modern speculation, is the more remarkable because his scholastic successors accomplished least in the field of morals, hardly venturing to bring the principles and rules of conduct under pure philosophical discussion, even after the great ethical inquiries of Aristotle became fully known to them.

BIBLIOGRAPHY --Abelard's own works remain the best sources for his life, especially his Historia Culamitatum, an autobiography, and the correspondence with Heloise. The literature on Abelard is extensive, but consists principally of monographs on different aspects of his philosophy. Charles de Remusat's Abelard (2 vols., 1845) remains an authority. It must be distinguished from his drama Abelard (1877), which is an attempt to give a picture of medieval life. McCabe's life of Abelard is written closely from the sources. See also the valuable analysis by Nitsch in the article "Abalard." There is a comprehensive bibliograohy in U. Chevalier, Repertoire des sources hist. du moyen age, s. "Abailard." (G. C. R.; J. T. S.*)

This article is from the 1911 edition of an encyclopedia, which is out of copyright here in the U.S. It is in the public domain and you may copy, download, print and distribute this work as you see fit.

Every effort has been made to present this text accurately and cleanly, but no guarantees are made against errors. Neither Melissa Snell nor About may be held liable for any problems you experience with the text version or with any electronic form of this document.

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