There were two purposes, however, for which the humanist was as indispensable to the republics as to princes or popes, namely, the official correspondence of the State, and the making of speeches on public and solemn occasions.
Not only was the secretary required to be a competent Latinist, but conversely, only a humanist was credited with the knowledge and ability necessary for the post of secretary. And thus the greatest men in the sphere of science during the fifteenth century mostly devoted a considerable part of their lives to serve the State in this capacity. No importance was attached to a man's home or origin. Of the four great Florentine secretaries who filled the office between 1427 and 1465, three belonged to the subject city of Arezzo, namely, Leonardo (Bruni), Carlo (Marzuppini), and Benedetto Accolti; Poggio was from Terra Nuova, also in Florentine territory. For a long period, indeed, many of the highest offices of State were on principle given to foreigners. Leonardo, Poggio, and Giannozzo Manetti were at one time or another private secretaries to the popes, and Carlo Aretino was to have been so. Biondo of Forli, and, in spite of everything, at last even Lorenzo Valla, filled the same office. From the time of Nicholas V and Pius II onwards, the Papal chancery continued more and more to attract the ablest men, and this was still the case even under the last popes of the fifteenth century, little as they cared for letters. In Platina's 'History of the Popes,' the life of Paul II is a charming piece of vengeance taken by a humanist on the one Pope who did not know how to behave to his chancery -- to that circle 'of poets and orators who bestowed on the Papal court as much glory as they received from it.' It is delightful to see the indignation of these haughty gentlemen, when some squabble about precedence happened, when, for instance, the 'Advocati consistoriales' claimed equal or superior rank to theirs. The Apostle John, to whom the 'Secreta caelestia' were revealed; the secretary of Porsenna, whom Mucius Scaevola mistook for the king; Maecenas, who was private secretary to Augustus; the archbishops, who in Germany were called chancellors, are all appealed to in turn. 'The apostolic secretaries have the most weighty business of the world in their hands. For who but they decide on matters of the Catholic faith, who else combat heresy, re-establish peace, and mediate between great monarchs; who but they write the statistical accounts of Christendom? It is they who astonish kings, princes, and nations by what comes forth from the Pope. They write commands and instructions for the legates, and receive their orders only from the Pope, on whom they wait day and night.' But the highest summit of glory was only attained by the two famous secretaries and stylists of Leo X: Pietro Bembo and Jacopo Sadoleto.
All the chanceries did not turn out equally elegant documents. A leathern official style, in the impurest of Latin, was very common. In the Milanese documents preserved by Corio there is a remarkable contrast between this sort of composition and the few letters written by members of the princely house, which must have been written, too, in moments of critical importance. They are models of pure Latinity. To maintain a faultless style under all circumstances was a rule of good breeding, and a result of habit.
The letters of Cicero, Pliny, and others, were at this time diligently studied as models. As early as the fifteenth century a great mass of manuals and models for Latin correspondence had appeared (as off-shoots of the great grammatical and lexicographic works), a mass which is astounding to us even now when we look at them in the libraries. But just as the existence of these helps tempted many to undertake a task to which they had no vocation, so were the really capable men stimulated to a more faultless excellence, till at length the letters of Politian, and at the beginning of the sixteenth century those of Pietro Bembo, appeared, and took their place as unrivaled masterpieces, not only of Latin style in general, but also of the more special art of letter-writing.
Together with these there appeared in the sixteenth century the classical style of Italian correspondence, at the head of which stands Bembo again. Its form is wholly modern, and deliberately kept free from Latin influence, and yet its spirit is thoroughly penetrated and possessed by the ideas of antiquity.
Continued on page two.
The Civilization of the Renaissance in Italy
by Jacob Burckhardt
Part Three: The Revival of Antiquity
Chapter 7 - Reproduction of Antiquity: Epistolography and Latin Orators: 1 2 3 4 5
Chapter 6 <<< Contents >>> Chapter 8
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